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Lucille Alabaster crafts haunting, glamour-soaked art that fuses dark pop, grunge rap, and mysticism. Her work drifts between confession and spell, mixing raw street grit with cinematic elegance. Always hypnotic, always dangerous, she turns shadows into sound.

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“Balloons” drifts like a dream on the edge of memory—an airy, bittersweet hot take on pop music with the cinematic haze of Lana Del Rey. Floating melodies rise and fall like helium confessions, carrying both glamour and melancholy in equal measure. It’s hypnotic, nostalgic, and just a little dangerous—like a party that never quite comes down.

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“Redbottom Gospel” is a fierce hymn for the fallen and the glamorous—where street sermons meet luxury scars. Lucille Alabaster turns pain into prophecy, blending gritty rap cadences with the allure of high-heel salvation. It’s holy, hellish, and unforgettable.

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“We’re Back” is a triumphant witch-anthem—a spell woven into song. It carries the voice of the forgotten and the silenced, rising again with cosmic vengeance. With its haunting refrain and blazing imagery of stardust and secret fire, it reminds the world that the witches they tried to burn never died. They’ve returned—louder, stronger, eternal.

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Projects