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Sterling & Stone is a multi-media story studio, home to dozens of talented storytellers, creating new and original stories for books, audio, and screen.

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She came to escape her husband. She woke up in the end of the world.

A bruised woman. A vanished man. And a sky that shouldn’t exist.

Liz planned every detail. A weekend at the lake with her son and estranged husband. A few days to breathe, to find her voice, and maybe, finally, to leave for good.

But when she wakes up in the middle of the night, her husband is gone. Her son is shaking and silent. And the world outside has changed.

The sky above the trees glows violet. The stars are missing. And there’s something moving in the woods — something that whispers, watches, waits.

As Liz tries to piece together what happened on the lake, she begins to realize her greatest fears aren’t just domestic. They’re cosmic. And what came back with her son … may not be him at all.

Set in the Yesterday’s Gone universe but told as a tense, standalone descent into dread, October’s Gone is a psychological horror story where grief, abuse, and alien terror blur at the edges.

For fans of The Babadook, The Haunting of Hill House, and The Leftovers, this is what it feels like when the world collapses quietly — and then all at once.

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October's Gone

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